The music industry is grappling with rising uncertainty, inflation -- and, in the case of classical music -- audiences who simply aren't ready to return.

Symphony, an online platform designed to be like the Netflix of classical music, is an idea Rob Overman been working towards for more than ten years.

Questioning the shaky logic behind cancelling musicians like Alexander Malofeev and amid geopolitical tensions.

Are there universal patterns between personality and musical preferences that cut across cultures and sociodemographic details?

As many teachers and students have discovered in the last two years of on-and-off virtual school, music lessons during the pandemic have unearthed some pleasant surprises.

Dr. Patricia Wright looks back on 35 years playing Canada's largest pipe organ, the giant Casavant Opus 1367.

Is the world of classical music ableist?

Classical Music Documentary wins the Austin Riggs Erikson Prize for Excellence in Mental Health Media.

Thanks to the work of a team of music historians, musicologists, composers and computer scientists, Beethoven’s vision for his 10th Symphony will come to life.

And can they be stopped?

Penny Lane's documentary 'Listening to Kenny G' explores the music that's generated massive sales - and much vitriol.

Barry Avrich’s new documentary 'Oscar Peterson: Black + White' is an unabashed love letter to the Canadian pianist and jazz great.

“We’re still here.” The RCM's Dr. Peter Simon talks about how the venerable organization has weathered the global pandemic.

A new hypothesis suggests the pandemic has accelerated trends affecting classical music by a decade.

The humble recorder has an illustrious history in Western music, including a golden era and a recent rebirth.

We checked in with music teachers to see how they’re adapting during the COVID-19 pandemic.

Even Russian piano virtuoso and legend Anton Rubinstein gave up on one of the uber-challenging pieces on our list.

This year marks Ludwig van Beethoven's 250th birthday. Though some of his creations have been overexposed, there are still others waiting to be discovered.

Ludwig Van checked in with music students and educators at every level, from amateurs to elite performance programs, to see how the first full academic year since COVID began is going.

The contention seems to come up in social media every few years, sparking debate and deeper questions about culture and race.

Glenn Gould’s closest confidantes talk about their memories, and what lessons we might learn from his life in the post-COVID-19 world.

"I am an observer. I borrow the moment, then share it," says Toronto-born photographer Mark Rash in a conversation about his art and career capturing classical musicians.

Opera scholars Linda and Michael Hutcheon talk about the art form’s rich encounter with our susceptibility to disease.

Newly founded Opera InReach seeks to inspire newcomers to explore opera through technology and inclusion.

Author and amateur pianist Robin Roger revisits a summer piano retreat -- this year via Zoom.

Songs in Self-Isolation brings together musicians, healthcare workers and others to deliver the gift of music to isolated hospital patients during the COVID-19 pandemic.

To honour Pride Month, LVT spotlights two illuminating presentations on iconic gay composers Pyotr Ilyich Tchaikovsky and Leonard Bernstein.

At the beginning of June, an unnamed group of people started an Instagram account called Opera is Racist (OIR). Dozens of posts quickly went up, all anonymous, no names, all with a common theme — the racism specific to being in opera.

We look at how, when, and in what form live music might return after the silent stages of the COVID-19 lockdown.

With government-ordered COVID-19 pandemic restrictions beginning to lift, the burning question for the performing arts sector is: will audiences come back?

We take a look at the long standing traditions of parents and grandparents who pass along their knowledge of the piano to the next generation.

We talk with the artistic directors of three summer chamber music festivals during the COVID-19 crisis: Festival of the Sound (James Campbell); Roman Borys (Ottawa Chamberfest); and Stratford Summer Music (Mark Fewer).

If live streaming is here to stay, however, there are still some technical hurdles to be overcome.